11/2/2022 0 Comments Bob moog soundsource problme![]()
#Bob moog soundsource problme PatchThe 1Ca operated using a fixed patch for all the presets. (in practice, the actual 1Ca patch also followed this scheme.) The Mini followed the latter scheme, whereby the third VCO could be operated independently of the other two. In contrast, the catalog System 1C had two of the oscillators paired to a common control module. This yielded three oscillators that if desired could be operated completely independently of one another for the 1Ca. #Bob moog soundsource problme plusAlso, the three oscillators installed in the 1Ca consisted of three 901A VCO controllers paired with three 901B oscillators instead of the stock System 1C which had one 901 VCO plus a single 901A controlling two 901B slave oscillators. The 1Ca included an additional third 911 ADSR. Note: Actually, the 1Ca was not quite the standard Model 1C as listed in the April 1969 price list. The system was called the “1Ca”, “1” for System 1, “C” for console and “a” for programmable performance modification. The active preset was selected by a lighted pushbutton on the front edge. Each of the presets were programmed on a separate card. Four Modular System 1 synthesizers in console-style walnut veneer cabinets were modded for the event by the addition of an auxiliary preset box to each instrument that allowed for the instantaneous selection of one of up to a dozen different sounds. Herbie Hancock was offered the opportunity to be the fourth Moog performer but he declined for fear of ending up with egg on his face early in his career. It was performed by Chris Swansen, our resident composer, Herb Deutsch who instigated the design of the very first Moog Modular Synthesizer in 1964, Robert Moog and one other synthesist. This was the first highly publicized pubic synthesizer concert in the Big Apple. So, I arrived on the job 15 Sept 1969, just two weeks after the landmark Jazz in the Garden concert at the Museum of Modern Art (MOMA) in NY City. I did this working half time and going to school 3/4 time. I had no choice but to earn that ego inflator. Only junior and senior courses counted toward honors. I had to ace at least half my upper-division courses to raise my GPA high enough. But I had a two-semester D minus average I had to bring up to a 2.0 overall, or no diploma. How many people can claim that? When I got out of the Navy I was conditionally allowed back. We drove it to Trumansburg New York.I had a rather unique academic career at Berkeley both flunking out in 1961 and graduating with honors from the same university in 1969. ![]() My brother-in-law rescued an abandoned Ford Galaxy 500 from his collision yard in Massachusetts and gave it to us. No transportation costs were offered so when I graduated I gave my car to the next-door neighbor and borrowed airfare from my grandmother for myself and wife and two kids. Starting salary for a graduating BSEE in 1969 was about 10 grand. Bob broke the silence with “How about 8000 a year?” I responded “Yes”. We continued looking straight ahead for perhaps a minute not knowing what to say. We went to the balcony outside the door and sat side by side on a couch looking into the dining room below. I think Bob may have been trying to avoid me because he did not want to hire another engineer. I got the basics on the first go, so I proceeded to show visitors how the instrument worked all morning and into the afternoon while Bob dealt with the other folks. #Bob moog soundsource problme fullDue to the publicity surrounding the Wendy Carlos recording, Bob found himself besieged by an ever-changing room full of media, potential customers, music industry professionals and the merely curious for the rest of the day. I got there early and listened to his first demo. It was held at the Roosevelt Hotel where Bob had set up a couple of patch cord synthesizers and a prototype Moog MRS (McDonald Recording Systems) continuously variable-speed, electronic music tape recorder in a hotel room. I no longer recall our conversation, but he did invite me to meet him and his synthesizer at the 1969 Audio Engineering Society Convention in Los Angeles a few weeks hence. Is the Pope a Catholic? I cut classes for the day. Could I meet him at the San Francisco Airport? Tomorrow he had a few hours between flights. Months went by and I figured Bob had tossed my letter when I got a call from the man himself. ![]() I had gone into electrical engineering hoping to somehow parlay my degree into becoming a designer of musical instruments. I was hooked immediately and wrote asking for a job. In the spring of 1969, I was a senior electronic engineering student at the University of California Berkeley, when I first became aware of the name Moog and the term “synthesizer.” A local FM station aired Switched on Bach “created on an Electronic Mood Synthesizer”. Origins of the Keith Emerson Monster Moog and the Minimoog (photo credit: Ed O’Connor, Talkeetna, AK) My Beginning Days as Design Engineer for R A Moog Inc. ![]()
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